Mimar Sinan Güzel Sanatlar Üniversitesi Açık Bilim, Sanat Arşivi
Açık Bilim, Sanat Arşivi, Mimar Sinan Güzel Sanatlar Üniversitesi tarafından doğrudan ve dolaylı olarak yayınlanan; kitap, makale, tez, bildiri, rapor gibi tüm akademik kaynakları uluslararası standartlarda dijital ortamda depolar, Üniversitenin akademik performansını izlemeye aracılık eder, kaynakları uzun süreli saklar ve yayınların etkisini artırmak için telif haklarına uygun olarak Açık Erişime sunar.MSGSÜ'de Ara
Perspective and Istanbul, the Capital of the Ottoman empire
dc.contributor.author | Ardaman, Emel | |
dc.date.accessioned | 2025-01-09T20:03:30Z | |
dc.date.available | 2025-01-09T20:03:30Z | |
dc.date.issued | 2007 | |
dc.identifier.issn | 1741-7279 | |
dc.identifier.uri | https://doi.org/10.1093/jdh/epm008 | |
dc.identifier.uri | https://hdl.handle.net/20.500.14124/7497 | |
dc.description.abstract | The ideal town plans of the Renaissance had a radial scheme with a centre like the single viewpoint of the perspective, the 'owner-controller-ruler's' place.2 Until the eighteenth century, however, this scheme was seldom applied. Its popularity reached a climax in the second half of the nineteenth century in Haussmann's reorganization of Paris, which became a model of urban modernization for other countries. In nineteenth-century Istanbul, the capital of the Ottoman Empire, a radial scheme was first applied in Pera where large number of Europeans lived and later within the city walls of the ancient peninsula, the traditional centre of Istanbul. In neither part of the city did it function as in Paris. The aim of this article is to discuss why the radial plan scheme did not become a more important element in the modernization process of Istanbul, and to discuss whether it worked there as it did in Paris. This discussion will involve comparing the Ottoman and Western European understandings of the world as given visual expression in painting and reflected in the design of cities. | en_US |
dc.language.iso | eng | en_US |
dc.relation.ispartof | Journal of Design History | en_US |
dc.rights | Konferans Öğesi - Uluslararası - Kurum Öğretim Elemanı | en_US |
dc.subject | Modernization | en_US |
dc.subject | Nineteenth century | en_US |
dc.subject | Panopticon | en_US |
dc.subject | Paris | en_US |
dc.subject | Radial plan | en_US |
dc.subject | Urban design | en_US |
dc.title | Perspective and Istanbul, the Capital of the Ottoman empire | en_US |
dc.type | reviewArticle | en_US |
dc.department | Mimar Sinan Güzel Sanatlar Üniversitesi | en_US |
dc.identifier.doi | 10.1093/jdh/epm008 | |
dc.identifier.volume | 20 | en_US |
dc.identifier.issue | 2 | en_US |
dc.identifier.startpage | 109 | en_US |
dc.identifier.endpage | 130 | en_US |
dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
dc.identifier.scopus | 2-s2.0-51249142798 | en_US |
dc.identifier.scopusquality | Q1 | |
dc.indekslendigikaynak | Scopus | |
dc.snmz | KA_20250105 |
Bu öğenin dosyaları:
Dosyalar | Boyut | Biçim | Göster |
---|---|---|---|
Bu öğe ile ilişkili dosya yok. |
Bu öğe aşağıdaki koleksiyon(lar)da görünmektedir.
-
Տcopus [1543]
Scopus | Abstract and citation database