Mimar Sinan Güzel Sanatlar Üniversitesi Açık Bilim, Sanat Arşivi

Açık Bilim, Sanat Arşivi, Mimar Sinan Güzel Sanatlar Üniversitesi tarafından doğrudan ve dolaylı olarak yayınlanan; kitap, makale, tez, bildiri, rapor gibi tüm akademik kaynakları uluslararası standartlarda dijital ortamda depolar, Üniversitenin akademik performansını izlemeye aracılık eder, kaynakları uzun süreli saklar ve yayınların etkisini artırmak için telif haklarına uygun olarak Açık Erişime sunar.

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dc.contributor.authorDişkaya, Feyza Nur
dc.contributor.authorAltuncu, Damla
dc.contributor.authorKarabetça, Aliye Rahşan
dc.date.accessioned2025-01-09T20:03:35Z
dc.date.available2025-01-09T20:03:35Z
dc.date.issued2024
dc.identifier.issn2687-5373
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1285169
dc.identifier.urihttps://hdl.handle.net/20.500.14124/7595
dc.description.abstractInterior architecture education requires innovative methods to enable students to utilize knowledge gained from everyday experiences and informal learning more effectively and acquire fundamental skills. In this context, architectural photography is a significant tool for enhancing students’ spatial perception and visual skills. Photography provides a selective experience that activates students’ visual attention mechanisms; bottom-up attention processes direct students to visually prominent and attention-grabbing elements in the environment, while top-down processes focus attention on task-relevant features, suppressing distractions. Consequently, search behavior is shaped by both immediate environmental stimuli and broader context-and task-related factors. This study aims to support students in establishing a more conscious relationship with their environment by enhancing their abilities to explore spatial features, select visual stimuli, and interpret them. Data were collected from two different sample groups. The first sample group was shown their photographs, while the second group was shown pre-prepared photographs and eye-tracking measurements were taken. Analyses were conducted using Tobii Pro Lab Screen Based Analysis software. The findings indicated that informal experience led to variations in visual perception. As a result, a model was developed suggesting that the experience of taking photographs in interior architecture education may contribute to students’ improvement in visual perception and foster a more conscious approach to spatial design. © 2024, Nilay OZSAVAS ULUCAY. All rights reserved.en_US
dc.description.sponsorshipScientific Research Projects Commission of Mimar Sinan Fine Arts University, (2023-08)en_US
dc.language.isoturen_US
dc.publisherNilay OZSAVAS ULUCAYen_US
dc.relation.ispartofIDA: International Design and Art Journalen_US
dc.rightsKonferans Öğesi - Uluslararası - Kurum Öğretim Elemanıen_US
dc.subjectArchitectural photographyen_US
dc.subjectExperienceen_US
dc.subjectEye trackingen_US
dc.subjectPerspectiveen_US
dc.subjectVisual perceptionen_US
dc.titleArchitectural photography as a proposal for an experiential-based informal model in interior architecture educationen_US
dc.title.alternativeİç mimarlık eğitiminde deneyim odaklı informel bir model önerisi olarak mimari fotoğrafen_US
dc.typearticleen_US
dc.departmentMimar Sinan Güzel Sanatlar Üniversitesien_US
dc.identifier.volume6en_US
dc.identifier.issue2en_US
dc.identifier.startpage202en_US
dc.identifier.endpage216en_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.identifier.scopus2-s2.0-85211333426en_US
dc.identifier.trdizinid1285169en_US
dc.identifier.scopusqualityN/A
dc.indekslendigikaynakScopus
dc.indekslendigikaynakTR-Dizin
dc.snmzKA_20250105


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