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dc.contributor.authorFırat, Begüm Özden
dc.date.accessioned2025-01-09T20:03:38Z
dc.date.available2025-01-09T20:03:38Z
dc.date.issued2015
dc.identifier.isbn978-085772599-8
dc.identifier.isbn978-178076391-0
dc.identifier.urihttps://hdl.handle.net/20.500.14124/7644
dc.identifier.urihttps://doi.org/10.1177/1470412919839271
dc.description.abstractThe dominant form of Ottoman pictorial art until the eighteenth century, miniatures have traditionally been studied as reflecting the socio-historical contexts, aesthetic concerns and artistic tastes of the era within which they were produced. Begum Ozden Fyrat proposes instead a radical re-reading of seventeenth- and eighteenth-century miniatures in the light of contemporary critical theory, highlighting the viewer's encounter with the image. Encounters with the Ottoman Miniature employs contemporary concepts such as the gaze, frame/framing, reading and re-reading, drawing on thinkers such as Walter Benjamin, Roland Barthes and Gilles Deleuze to establish the vibrant cultural agency of miniature paintings. With analysis that illuminates both the social and political situations in which these miniatures were painted as well as emphasising the miniature's contemporary relevance, Firat presents an important new re-imagining of this art form. © 2015 Begüm Özden Fırat.en_US
dc.language.isoengen_US
dc.publisherBloomsbury Publishing Plc.en_US
dc.relation.ispartofEncounters with the Ottoman Miniature: Contemporary Readings of an Imperial Arten_US
dc.rights.uriinfo:eu-repo/semantics/closedAccess
dc.titleEncounters with the Ottoman Miniature: Contemporary Readings of an Imperial Arten_US
dc.typebooken_US
dc.departmentMimar Sinan Güzel Sanatlar Üniversitesien_US
dc.identifier.doi10.1177/1470412919839271
dc.identifier.startpage1en_US
dc.identifier.endpage262en_US
dc.relation.publicationcategoryKitap - Uluslararasıen_US
dc.identifier.wosWOS:000467077900009
dc.identifier.scopus2-s2.0-85203390372en_US
dc.identifier.scopusqualityN/A
dc.indekslendigikaynakScopus
dc.snmzKA_20250105


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