Mimar Sinan Güzel Sanatlar Üniversitesi Açık Bilim, Sanat Arşivi

Açık Bilim, Sanat Arşivi, Mimar Sinan Güzel Sanatlar Üniversitesi tarafından doğrudan ve dolaylı olarak yayınlanan; kitap, makale, tez, bildiri, rapor gibi tüm akademik kaynakları uluslararası standartlarda dijital ortamda depolar, Üniversitenin akademik performansını izlemeye aracılık eder, kaynakları uzun süreli saklar ve yayınların etkisini artırmak için telif haklarına uygun olarak Açık Erişime sunar.

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dc.contributor.authorOzgur, Ebru Firidin
dc.contributor.authorBengu, Devran
dc.date.accessioned2025-01-09T20:07:58Z
dc.date.available2025-01-09T20:07:58Z
dc.date.issued2022
dc.identifier.issn1300-7319
dc.identifier.urihttps://doi.org/10.14744/planlama.2021.60565
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/520282
dc.identifier.urihttps://hdl.handle.net/20.500.14124/7892
dc.description.abstractThis study defines a theoretical frame that associates the concept of the public sphere as a significant component of public life with the concept of public space based on the common ground of publicness. The concepts of 'publicness' and the 'public sphere', which are used in an explanatory manner for forming common life, also reach beyond this in their consideration of social life as a socialization environment. These issues were discussed based on different approaches. Considering a basic definition of the public sphere as a discussion environment, an argument is made that this discussion environment is supported by the production of ideas. Newly-formed theater environment might have a positive role to reinforce to publicness as previous studies shows. Considering that, the conceptual and spatial aspects of publicness, as presented in this field study concerning alternative stages in Kadikoy, Istanbul, were reviewed through four typologically different theater cases. This study evaluated alternative stages' interaction with the public space based on observations, spatial analysis and in-depth interviews with theater artists. It was observed that theater stages either directly or indirectly interact with public spaces. Besides, artists' perspectives can determine and impact both the spatial uses of theaters and social relationships with neighborhood residents. Holistically reviewing all relevant components within this context and using theaters as a case study, this article points out that theaters as sociocultural spaces are a feature in publicness on diverse layer of urban life.en_US
dc.language.isoengen_US
dc.publisherKare Publen_US
dc.relation.ispartofPlanlama-Planningen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectAlternative stageen_US
dc.subjectpublic spaceen_US
dc.subjectpublic sphereen_US
dc.subjectpublicityen_US
dc.subjectpublicnessen_US
dc.subjectKadikoyen_US
dc.titleThe Impact of Alternative Theater Stages on Public Spaces within the Context of Publicness in Kadikoyen_US
dc.typearticleen_US
dc.authoridBengu, Devran/0000-0002-1193-1711
dc.departmentMimar Sinan Güzel Sanatlar Üniversitesien_US
dc.identifier.doi10.14744/planlama.2021.60565
dc.identifier.volume32en_US
dc.identifier.issue1en_US
dc.identifier.startpage114en_US
dc.identifier.endpage131en_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.identifier.wosqualityN/A
dc.identifier.wosWOS:000779274600010
dc.identifier.trdizinid520282
dc.indekslendigikaynakWeb of Science
dc.indekslendigikaynakTR-Dizin
dc.snmzKA_20250105


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