Mimar Sinan Güzel Sanatlar Üniversitesi Açık Bilim, Sanat Arşivi

Açık Bilim, Sanat Arşivi, Mimar Sinan Güzel Sanatlar Üniversitesi tarafından doğrudan ve dolaylı olarak yayınlanan; kitap, makale, tez, bildiri, rapor gibi tüm akademik kaynakları uluslararası standartlarda dijital ortamda depolar, Üniversitenin akademik performansını izlemeye aracılık eder, kaynakları uzun süreli saklar ve yayınların etkisini artırmak için telif haklarına uygun olarak Açık Erişime sunar.

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dc.contributor.authorSayin, Tolga
dc.date.accessioned2025-01-09T20:08:08Z
dc.date.available2025-01-09T20:08:08Z
dc.date.issued2016
dc.identifier.issn1309-6915
dc.identifier.urihttps://doi.org/10.5505/megaron.2016.30074
dc.identifier.urihttps://hdl.handle.net/20.500.14124/8013
dc.description.abstractBergsonism, written by Gilles Deleuze, is one of the primary texts on French philosopher Henri Bergson. This article reconsiders reflections on Deleuzian sense of multiplicity in architectural design through the intuition as method described in the concepts of Bergsonism. Experimental research was conducted by the author of the present article in the 2014-2015 spring term at Faculty of Architectural and Design of Maltepe University in ARCH 202 Design Studio. The work led to the production of the new and subjective singularities in architectural design, independent of mediation of representation. In a pragmatic design approach, movement of drawing by hand with an intuitive flow/flux not related to narrative representation is discussed through incommensurable intensities. Although based on a meditative, imaginary, diagrammatic ground, intuition provides immediate data. Affirming ontological multiplicities, intuition/duration immediate data that produces the conditions of intuitivity. Dividable and quantifiable diagrammatic spatializations are articulated during the flux of that is emerging immeasurably as differences in nature and tendencies that are emerging as differences in kind. It is a design thinking without necessarily accepting concept as a beginning, and it accepts pure perception, articulations connected to singular characteristics occurring according to the conditions of the experience. This kind of design thinking resists labeling and identifying diagrammatic representations producing different tendencies, intensities and new beginnings by immediate intuition.en_US
dc.language.isoturen_US
dc.publisherYildiz Technical Univ, Fac Architectureen_US
dc.relation.ispartofMegaronen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectArchitectural designen_US
dc.subjectBergsonen_US
dc.subjectcontinuityen_US
dc.subjectDeleuzeen_US
dc.subjectdiagramen_US
dc.subjectintuitionen_US
dc.subjectontologyen_US
dc.titleRethinking Bergsonism Through a Deleuzian Ontology in Architectural Designen_US
dc.typearticleen_US
dc.departmentMimar Sinan Güzel Sanatlar Üniversitesien_US
dc.identifier.doi10.5505/megaron.2016.30074
dc.identifier.volume11en_US
dc.identifier.issue2en_US
dc.identifier.startpage254en_US
dc.identifier.endpage264en_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.identifier.wosqualityN/A
dc.identifier.wosWOS:000378694800007
dc.indekslendigikaynakWeb of Scienceen_US
dc.snmzKA_20250105


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