Mimar Sinan Güzel Sanatlar Üniversitesi Açık Bilim, Sanat Arşivi

Açık Bilim, Sanat Arşivi, Mimar Sinan Güzel Sanatlar Üniversitesi tarafından doğrudan ve dolaylı olarak yayınlanan; kitap, makale, tez, bildiri, rapor gibi tüm akademik kaynakları uluslararası standartlarda dijital ortamda depolar, Üniversitenin akademik performansını izlemeye aracılık eder, kaynakları uzun süreli saklar ve yayınların etkisini artırmak için telif haklarına uygun olarak Açık Erişime sunar.

MSGSÜ'de Ara
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dc.contributor.otherEditör: Ayșe Güngör, Efe Duyan
dc.date.accessioned2025-04-11T11:38:59Z
dc.date.available2025-04-11T11:38:59Z
dc.date.issued2014en_US
dc.identifier.isbn9786055120726
dc.identifier.urihttps://hdl.handle.net/20.500.14124/9626
dc.description.abstractNEW PERSPECTIVES, APPROACHES AND THEIR CONTEMPORARY COUNTERPARTS Contemporary art, always open to surprises and experimentation, continues to evolve through multiple directions. It is being produced, consumed, and discussed within an ever-expanding spectrum. Art constantly renews itself — from new materials to alternative forms of communication, from interactive installations to computer games, from spatial approaches to perceptual paradigms, and from reflections on urban and natural issues of the new millennium to emerging subjects and manifestos. Through biennials, galleries, auctions, advertising, sponsorships, awards, educational institutions, and a heterogeneous institutional structure, trends in contemporary art are spreading globally. This vast world of art production, stretching from the financial constraints to the intellectual independence of the artist, plays a central role in the history of contemporary art — sometimes embracing and at other times taming alternative production channels. Curatorship, criticism, and theory have never been so transparently and closely intertwined with artistic production. Contemporary art, with all its complex and layered dimensions, confronts us daily with new agendas and debates. In the new millennium, this dynamic and multifaceted movement calls for new questions and fresh answers, each deserving emphasis in their own right. CONTEMP ART '14 opens its doors to the styles and approaches of artists from diverse geographies, identities, and artistic inclinations, while also welcoming institutions, intellectual frameworks, and the roots of contemporary art since the 1960s. Adopting a critical perspective, the 3rd CONTEMP ART Conference will be held on April 24–25, 2014, with the support of DAKAM (Eastern Mediterranean Academic Research Center) and hosted by MSGSÜ (Mimar Sinan Fine Arts University).en_US
dc.language.isoengen_US
dc.publisherMimar Sinan Güzel Sanatlar Üniversitesien_US
dc.rights© Mimar Sinan Güzel Sanatlar Üniversitesien_US
dc.subjectÇağdaş sanaten_US
dc.subjectSanatsal üretimen_US
dc.subjectDeneysel sanaten_US
dc.subjectKüratörlüken_US
dc.subjectSanat kuramıen_US
dc.titleNew spatial approaches, new techniques and theory in contemporary arts: Contempart’14: Contemporary Arts and Art Theory Conference: conference proceedings April 24-25, 2014, Mimar Sinan Fine Arts Universityen_US
dc.typeconferenceObjecten_US
dc.departmentMimar Sinan Güzel Sanatlar Üniversitesien_US
dc.relation.publicationcategoryDiğeren_US


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