Mimar Sinan Güzel Sanatlar Üniversitesi Açık Bilim, Sanat Arşivi

Açık Bilim, Sanat Arşivi, Mimar Sinan Güzel Sanatlar Üniversitesi tarafından doğrudan ve dolaylı olarak yayınlanan; kitap, makale, tez, bildiri, rapor gibi tüm akademik kaynakları uluslararası standartlarda dijital ortamda depolar, Üniversitenin akademik performansını izlemeye aracılık eder, kaynakları uzun süreli saklar ve yayınların etkisini artırmak için telif haklarına uygun olarak Açık Erişime sunar.

MSGSÜ'de Ara
Gelişmiş Arama

Basit öğe kaydını göster

dc.contributor.authorGezgin, Ahmet Öner
dc.date.accessioned2022-06-08T18:32:27Z
dc.date.available2022-06-08T18:32:27Z
dc.date.issued2005
dc.identifier.issn1302-2938
dc.identifier.issn2687-4857
dc.identifier.urihttps://app.trdizin.gov.tr/makale/TmpVME5EYzM/2000
dc.identifier.urihttps://hdl.handle.net/20.500.14124/273
dc.description.abstractThe development of the photographic process involves two important periods. One of them is the period called "daguerre' which lasted till the invertion of photography was officially made public to the whole world by the French Academy of Science in 19 August 1839; and the other is the "new period" which started with Daguerre and has continued till the present time. One point under consideration that appeared with the invention of image technology in the 19 th century, is the discussion of problems. However, photography is at the same time considered to have died out. In the present century, the belief of a new era which is known as the period of post-photography whose birth we are witnessing, has became prevalent. To ask question about the present and future means facing various possible questions. The answer to such questions may conclude that we must believe in the continuity of photography. In order to accept the demise of art in a general sense, it is necessary to accept that its apperance in art history can be determined as historical fact. All creation may die. Photography now may face "demise" related to the reason of "existence". As, with the post-modern visual culture and also digital revolution, the absoluteness of the period of chemical photography has been demolished.en_US
dc.language.isoturen_US
dc.relation.ispartofSanat Dergisi: Atatürk Üniversitesi Güzel Sanatlar Fakültesien_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectSanaten_US
dc.title2000'li Yıllarda Sanat Bağlamında Fotografinin Yazgısıen_US
dc.title.alternativeThe Fate of Photography in the Context of Art in the 2000s.en_US
dc.typearticleen_US
dc.department. . .en_US
dc.institutionauthor. . .
dc.identifier.issue7en_US
dc.identifier.startpage11en_US
dc.identifier.endpage23en_US
dc.relation.publicationcategoryMakale - Ulusal Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.identifier.trdizinidTmpVME5EYzM/2000en_US


Bu öğenin dosyaları:

DosyalarBoyutBiçimGöster

Bu öğe ile ilişkili dosya yok.

Bu öğe aşağıdaki koleksiyon(lar)da görünmektedir.

Basit öğe kaydını göster